Blog

Here is my cahiers de vivre (to take from the famous cahiers du cinema), expanded scribblings on cinema, literature, life, and things in between. Every now and again I also write technical articles about data science / software development at Medium.com.

Passion Projects in the Time of AI

Allow me to set the scene. Back in 2021, I was working as a quality control statistician for a major player in the Philippine fast-food industry. Actually, since the term was coming in vogue, my job title was gradually transitioning into in-house data scientist, as were my day-to-day responsibilities, which little by little started to…

A month of Philippine Cinema: Kidlat Tahimik’s Mababangong Bangungot

I’m generally suspicious of postcolonial works of art that nevertheless utilize the forms of expression — or thrive in the cultural spaces — borrowed from Western powers. For example, while I’m hoping to catch a screening of Rafael Manuel’s much-celebrated Sundance entry, Filipiñana, on my upcoming trip to Manila, my anticipation is already pestered by…

A month of Philippine cinema: Mike de Leon’s Itim (1976)

It’s finally September! Not only is my birthday coming up, but the month also happens to be Philippine Film Industry Month (PFIM), so chosen to commemorate the birth of Philippine cinema following the screening of Jose Nepomuceno’s Dalagang Bukid in 1919. Readers of my blog would know that I’m a big fan of our local…

Reckoning with the brutal realities of womanhood: a film review of Sunshine (2024)

I’m going to just go ahead and open this post with a scalding hot take: artists have no obligation to validate all sides of an argument. This applies to any medium of creative expression, be it essays, film, short stories, novels, or hell, even polemical tracts. If you’re writing jurisprudence, sure. But if you’re producing…

What would be so bad about being erased: an unusually early review of Obsession (2026)

Topping my rolling list of ongoing obsessions recently is the indie-turned-blockbuster smash hit horror movie Obsession (2026), which I saw over the weekend with my wife. Neither of us are big on the horror genre, but the movie in particular had two strong points working for it that really piqued our interest. First, there’s the…

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